A Sacred Connection
Priyanjana Roy Chowdhury
The dancer steps into the stillness, heart trembling, breath like a river’s flow. With the first beat, something stirs—an unspoken surrender, a deep knowing. This is more than a movement. More than art. This is an offering to the divine.
Shiva, the cosmic dancer, watches not from a distant sky, but from within the very core of her being. In each pulse of her heart, in every muscle that reaches toward the heavens, he flows through her. His essence vibrates in the rhythm, in the pauses between, in the fierce fire that ignites her limbs.
She closes her eyes, and the world dissolves into a single beat. The sound of her feet against the earth, echoing Shiva’s Tandava, the primal dance that spun the cosmos into life. In every motion, she feels the weight of destruction, the heat of transformation, the gentle grace of creation. Each gesture a prayer, each step a surrender to something beyond herself.
In that sacred space, she knows Dance is not merely movement; it is devotion. It is the bridge between the finite and the infinite. It is her way of reaching the divine.
And as she spins, arms outstretched toward the stars, she is no longer just a dancer. She is part of Shiva’s eternal rhythm, a flicker in his cosmic flame, a heartbeat in the dance of the universe.
The boundaries between body and spirit dissolve. Time stretches and folds into itself, and for a fleeting eternity, there is no past, no future—only the present pulse of existence. Her breath aligns with the damaru’s beat, her soul dances with the fire that arcs through Shiva’s locks. She becomes a vessel, channeling the divine energy that flows through all creation.
The floor beneath her feet is no longer just earth, it is the altar of the cosmos, and each step she takes leaves behind an imprint of the sacred. Her anklets ring like temple bells, calling not just the gods, but the soul to awaken, to remember. That this dance, this life, is both ephemeral and eternal.
And in the stillness that follows the final step, when the echoes of her movement linger like whispers in the air, she kneels—not in exhaustion, but in awe. For in giving herself fully to the dance, she has touched divinity. In surrendering to Shiva’s rhythm, she has found her own.
And in that moment of stillness, of silence, she knows the truth:
She has not danced for Shiva. She has danced as Shiva.
[*Dancer | Choreographer | Teacher]